It’s hard to take seriously a subject where one of its foremost exponents equates the penis with the square root of minus one, but this is what I have tried to do with post-modernism.
Struck by the question “What does post-modernism actually mean?” and concerned at my lack of knowledge of the meaning of the terms “jouissance”, and the much-used but little explained “deconstruction”, I bought a popular introduction to the subject by Appignanesi and Garratt: Postmodernism, A Graphic Guide to Cutting-Edge Thinking.
Nearly two hundred pages later, I was none the wiser. I still couldn’t give a quick definition of the word “post-modernism”, and I suspect that that is the way its proponents intend it to be. Fortunately, Wikipedia comes to the rescue saying that post-modernism “tends to refer to a cultural, intellectual, or artistic state lacking a clear central hierarchy or organizing principle and embodying extreme complexity, contradiction, ambiguity, diversity, and interconnectedness or interreferentiality”.
This is putting it politely, throughout the book, one has to fight one’s way through passages like:
“The male child resolves his Oedipal “murderous” conflict with the father by identifying with his Phallic Power. He can do this because he possesses a “signifier” – his penis – which in the Signified realm represents the Phallus or Sexual Power. The position of power in language is the phallus which imposes the Symbolic order.”
Exactly what this is supposed to mean is anyone’s guess. Signifiers were used earlier in the book in the context of language, and the Freudian idea of the penis as a symbol of power is a familiar, if discredited idea from psychoanalysis. But here the two seem to have been thrown together without any regard for meaning, or even coherence. The definition above comes to our rescue: post-modernism embodies lots of contradiction and ambiguity.
Another trait of post-modernist thinking is a reaction to the rationality of the sciences, and the notion that, at heart, science is merely a “narrative”, a social construct, or a myth. On page 109 we find that “Critiques of science… have attacked [it] for its notion of truth and rationality as well as the alleged objectivity of the scientific method. All this criticism has established that science is a social process, that scientific method is little short of a myth, that scientific knowledge is in fact manufactured.”
Strange to find then, that in common with other dubious disciplines, post-modernism seems to yearn for the imprimatur of science to lend it an air of respectability. The authors point to several theories and concepts in science which they seem to think support their ideas, but their explanations contain a number of errors which I find disconcerting: enough to make me think that the authors have not themselves understood what they are trying to explain. It is also unclear exactly why science supports post-modernist thought.
For example on Heisenberg’s Uncertainty Principle: “it states that there is always uncertainty in simultaneous measurements of the position of a particle”. The uncertainty principle actually says that if you try and measure the position and momentum of a particle, you will find that the more certain you are of the position of the particle, the more uncertain you are of its momentum, and vice-versa. Note to lay readers: in this context momentum can usefully be thought of as the particle’s speed in a particular direction.
On Theories of Everything: “we discover that the atom not only consists of protons, neutrons and electrons, but all varieties of gluons, charms, quarks”. Although quarks are a constituent of protons and neutrons, “charms” are not constituents of anything; charm is the somewhat whimsical name for a property of one particular type of quark, the charm quark, which in any case does not form part of the everyday matter we are familiar with.
In science or mathematics, a person whose writing betrays a serious misunderstanding of the subject he is talking about may be safely ignored. The chances of him establishing new knowledge or manipulating existing knowledge in a meaningful way are vanishingly small.
However, in post-modernist writing, this stricture is clearly not important: a person who has not understood an important component of the idea he is trying to establish can continue his outpourings. Here is the French cultural theorist and post-modern philosopher Jean Baudrillard talking about the first Gulf War:
“It is a sign that the space of the event has become a hyperspace with multiple refractivity, and that the space of war has become definitively non-Euclidean” – Baudrillard 1995 p. 50
One wonders what a Euclidean space of war would look like. A flat plane extending to infinity in every direction? The idea of a hyperspace with multiple refractivity is a meaningless concept in physics. The quotation above I took from Sokal and Bricmont’s excellent book, Intellectual Impostures, which deals with the abuse of scientific concepts by post-modern thinkers.
Another idea in post-modernism is that of deconstruction. Introduced by another French philosopher, Jacques Derrida, a definition of exactly what the term means is hard to come by. The closest one seems to be able to come is that it is a way of showing how a text subverts its own meaning:
“the term ‘deconstruction’ refers in the first instance to the way in which the ‘accidental’ features of a text can be seen as betraying, subverting, its purportedly ‘essential’ message” (Rorty 1995)
Though quite why this is important is not made clear. It’s also just about impossible to get an example of deconstruction in action.
I’m reminded of a philosophy lesson attended by the scientist Richard Feynmann, recounted in his book Surely You’re Joking, Mr Feynmann. The discussion in the class was all about “essential objects”, which were being spoken of in a technical way. These were extremely important to the argument, and Feynmann, who was only there to observe, was asked by the class instructor if, being a physicist, he thought an electron was an essential object.
To clarify the concept in his head, Feynmann responded with a question of his own: is a brick an essential object? To his enormous surprise, no one could agree on whether or not a brick fell into the category of essential object. Feynmann’s point was that it was not surprising they got nowhere when they couldn’t even agree on basic definitions.
Much the same thing seems to happen with post-modernist thought: not only is it difficult to follow the arguments, there are also no accepted definitions of what their terms of reference actually mean. The resulting scope for confusion is enormous. I feel sorry for people stuck on a cultural studies course, or another course with high post-modernist content. They can take comfort in the thought that when it comes to writing their dissertations, there exist post-modernist document writing generators on the internet that can produce a lengthy essay, with footnotes, in seconds. Here’s one for example.
And I still couldn’t give a definition of what post-modernism means, although jouissance is supposed to mean jollity or merriment. And the person who equated his penis with the square root of minus one was Jacques Lacan.